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“More street artists are turning to stencil art’s speed, efficiency, and neatness as a means of expression. All it takes is a piece of cardboard, an X-Acto knife, and a can of spray paint to pose an idea or tell a story with the potential to change the gait of pedestrians and make them stop and think.”—San Francisco Weekly
Without a doubt, stencils are the fastest, easiest, and cheapest method for painting an image on a wall, a sidewalk, or practically anywhere. Stencil Nation focuses on the unexpected mix of this lively, accessible medium—from famous artists including Banksy to international street stencils and gallery shows—to reveal engaging aspects of an intentionally secretive creative community.
With dynamically illustrated perspectives from the niches of the art form, female artists, documentarians, and the growing online community of the international scene are featured in this fresh collection of photographs and essays curated by StencilArchive.org’s founder, Russell Howze. New artists, often utilizing stencil art in unconventional ways, are also featured.
Stencil Nation also represents the art of lesser-known urban scenes, including Poland, Romania, and Israel. Additionally, Stencil Nation builds upon previous published works to give the most extensive and up-to-date history of stencil art, as well as how-to tips from the artists themselves.
Russell Howze is the curator of StencilArchive.org. He lives in San Francisco.
- Sales Rank: #1529785 in Books
- Brand: Brand: Manic D Press, Inc.
- Published on: 2008-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 8.00" l, 1.10 pounds
- Binding: Paperback
- 192 pages
- Used Book in Good Condition
From Publishers Weekly
In his introduction, Chris Carlsson praises grafitti's power to invoke "millennia-old art forms..., pre-literate and pre-industrial signage... and the chasms of the digital divide"; stencil documentarian D.S Black describes it more simply as "comments and critiques sketched into the margins of everyday life." Those views neatly ground this vibrant exploration of a sub-sub-genre that is, arguably, art at its most inherently political. As a means of expression for the disenfranchised, a legitimate form deserving equal gallery space, or an illegal act of vandalism that encourages criminal behavior, stencil graffiti is considered thoughtfully in several essays. The text also includes testimony from some of the form's best artists, a compact but detailed chronology, discussion of commonly used materials and tips for the novice. Still, the images are the book's biggest appeal, reproduced in crisp color images. From London-based stencil-art icon Banksy's detailed image of a police officer frisking a little girl to Dwell's paper urinals in Montreal to gallery shows in Barcelona and San Francisco, this volume crosses the globe for a swift tour of the world's best artists, making it a handsome and insightful introduction to the form.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
In 2002, Russell Howze founded StencilArchive.org, a comprehensive website documenting over 7,000 stencil graffiti images from around the world, as well as information about the stencil art process. He lives in San Francisco.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Stenciling 101
By Daniel Lobo
Good overview of stenciling as an art expression, highlighting with dexterity its primary urban nature without leaving aside other broad areas it covers.
The volume works well as an stenciling 101, with generic sections highlighting some historic aspects, albeit sometimes with a slightly unbalanced sense of priorities or omissions in the timeline. The few texts are fairly well taken care of, and cogent. A good selection of testimonials ranging from artists narrating their motivation, to documentarians talking about their work, as well as some good basic technical tips, offer a good narrative to expose general aspects of the medium.
While the book may lack a specific methodical sampling and a deeper critical/analytical aspect, it is quite recommendable as an effective snapshot of the topic, and hints at the praiseworthy labor that the [...] is set to accomplish.
2 of 2 people found the following review helpful.
Excellent overview of stencil street art
By Tori Coto
I have appreciated street art and creative graffiti for over 30 years. Really good street art is sometimes hard to find because it often disappears or is defaced by a rival artist quickly. Because so much of street art is critical of the status quo, most urban governing people don't like it and many cities spend a great deal of money to cover it up within 24 hours. In my own city, over $600,000 a year was spent to clean it up until the economy went bad. The good got destroyed with the bad.
The cool thing about stencils is that you gotta be good at drawing to do it well and you have to understand how to use negative space creatively. Couple that with an ironic sense of humor and clever messaging and you've got yourself some serious social commentary. We've all heard the adage that a picture speaks a thousand words and in the case of stencils, it does it succinctly and artistically. With over 350 artists' work represented in this book, you get a fabulous view of stencil art from more than 25 countries. Because this book was published in 2008, it doesn't have the latest, but it does have some of the best.
0 of 0 people found the following review helpful.
Two Stars
By Diana
It's ok but nothing special. I was hoping for some actual stencils included
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