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Heart of Darkness: Bruce Springsteen's Nebraska, by David Burke
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From the nature of the material itself and the history of American folk music which foretold it, to the legacy and influence on later generations of musicians, an exploration of the classic 20th century�album that sees its 30th anniversary in 2012�In January 1982, Bruce Springsteen recorded a set of demos in his New Jersey bedroom—a�follow up to The River,�the double album issued in 1980 which had reached the top of the Billboard charts. Expectations were grand, and these demo recordings promised an impressive album. However, after a series of sessions with�the E Street Band spent working on the material, Springsteen�felt these new recordings failed to capture the intimacy of the home demos and�made the incredible decision to eschew the expensive, state of the art productions,�and release�the crude, home recorded version of the album. Almost�30 years later, Nebraska is considered a classic, not only among Springsteen's canon but among the entire body of work recorded during the 20th century. The album captured the public's imagination, reached #3 on the Billboard, and added a new, darker side to Springsteen's public persona. Springsteen's fanbase is awash with rumors that�an anniversary edition�of�Nebraska�will include the elusive studio recordings and tracks not included on the original album—to which the author has had access and has discussed here.
- Sales Rank: #1816244 in Books
- Published on: 2011-12-08
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.10" l, .65 pounds
- Binding: Paperback
- 300 pages
Review
"[A] thorough and incisive new book...If you love a good history lesson pick up David Burke’s new book." —popmatters.com
Most helpful customer reviews
13 of 16 people found the following review helpful.
Good book with a bad problem
By satkinsn
Though not at Dylan proportions (yet), there's a growing cottage industry of books that analyze Bruce Springsteen. This is one of them, focused on the album 'Nebraska,' but with a fair amount of what Springsteen did after as well.
It's a decent read; the author does a good job of connecting Springsteen to folk tradition, tells the story of the album well, and expands on it with a chapter about a bootleg that revealed Springsteen's early efforts at 'Nebraska.' He also has strong quotes from musicians on the lasting influence of the album. (The quotes alone are worth the price of admission.)
But he briefly, tragically goes off the rails when talking about 9/11. It's wrong-headed enough to make me question the rest of his judgment.
It's worth quoting the passage at length:
"The world changed on 9/11. At least that's what the international media told us so it must be true, right? Wrong. What changed on 9/11 was that those who would not be enslaved by America's omnipresent brand of capitalism, by its cultural homogenisation of the planet, struck back. What changed was that indiscriminate killing on a scale unprecedented outside military engagement between nations came to America. What changed was that an American President under suspicion for stealing the election the previous December, exploited the suffering of thousands of grieving families to seize the moral high ground and wage a phoney war on a fundamentalist Islamist terrorist group that probably doesn't even exist."
For the record, I think the rationale for the war in Iraq was invented by the Bush administration, and that the war was a grevious mistake. There is ample documentation on the record that President Bush wanted to topple Saddam Hussein as early as January 2001, months before 9/11.
So the above passage has just enough truth in its tone - which makes the incorrect parts all the worse.
It's simply wrong to describe al-Qaeda as "those who would not be enslaved by America's omnipresent brand of capitalism, by its cultural homogenisation of the planet..." and who "struck back." al-Qaeda's roots have been exhaustively documented in books like 'The Looming Tower' and any remotely sane reading of the record shows the group rejected western values in general (of which the U.S. was an example) and modernity in its entirety. To portray 9/11 as a reaction to American capitalism is to do violence to the facts.
The other line that jumps out at me is "...wage a phoney war on a fundamentalist Islamist terrorist group that probably doesn't even exist." The more I read that, the less sure I am of what the author intends, but if he's suggesting the U.S. invented an Islamist terrorist group as part of the war in Iraq, he's wrong. The Bush administration tried to tie Hussein to al-Qaeda, tried to blur the lines to the point where Americans believed (and still do) that Iraq was involved in 9/11, but I have read, seen and heard nothing that the U.S. invented a terrorist group.
And if he's claiming al-Qaeda "doesn't even exist," then he's simply out of touch with reality. al-Qaeda's history, personnel, means, methods, relations are extraordinarily well-documented, and much of the documentation comes from journalists and experts who are highly critical of U.S. conduct over the last decade.
Seriously, this is a decent consideration of Springsteen - but the author should not have waded into the waters he did.
2 of 2 people found the following review helpful.
Fantastic book!
By Beatles4ever
This a great book--especially if you are a big Boss fan. It had good insights into the songs that he wrote--and his lyrics really portray what a stark oasis in the landscape and the life of the persons who live in this psychological landscape, as well.
1 of 1 people found the following review helpful.
Rich Territory
By Michael L. Connor
Mr.Burke is a born writer. His book, Heart of Darkness, is a pleasure.
The only criticism I have is his taking to task the Boss 's manager ? Jon Landau, for prohibiting access to Mr. Springsteen . Any unknown writer would suffer the same consequence. Mr . Burke shouldn't take it so personally.
But as it stands he comes across a little thin-skinned and - dare I say - egocentric. Along the way he gets distracted by his hurt feelings and loses his focus - which ought to be the art and craft of the Boss and one his all - time great accomplishments , Nebraska .
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