Minggu, 30 Oktober 2011

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Losing Hope: A Novel, by Colleen Hoover

#1 New York Times bestselling author Colleen Hoover held readers spellbound with her novel Hopeless, the story of what happened when a troubled girl named Sky encountered a long-lost childhood friend, Dean Holder. With Holder’s help, Sky uncovered shocking family secrets and came to terms with memories and emotions that had left deep scars. Hopeless was Sky’s story. Now, in Losing Hope, we finally learn the truth about Dean Holder.

Haunted by the little girl he couldn’t save from imminent danger, Holder’s life has been overshadowed by feelings of guilt and remorse. He has never stopped searching for her, believing that finding her would bring him the peace he needs to move on. However, Holder could not have anticipated that he would be faced with even greater pain the moment they reconnected.

In Losing Hope, Holder reveals the way in which the events of Sky’s youth affected him and his family, leading him to seek his own redemption in the act of saving her. But it is only in loving Sky that he can finally begin to heal himself.

  • Sales Rank: #31601 in Books
  • Brand: Brand: Atria Books
  • Published on: 2013-10-08
  • Released on: 2013-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .90" w x 5.31" l, .97 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

About the Author
Colleen Hoover is the author of six New York Times bestselling novels. The SLAMMED series, which includes SLAMMED, POINT OF RETREAT and THIS GIRL. The HOPELESS series, which includes HOPELESS, LOSING HOPE and the free novella FINDING CINDERELLA. Her most recent release is the NYT's bestseller, MAYBE SOMEDAY, which includes links to an original soundtrack by musician Griffin Peterson. 
Her next standalone, UGLY LOVE, is scheduled to release August 5th, 2014. 

You can follow Colleen on Instagram and Twitter @colleenhoover. You can also find her on her blog at colleenhoover.com where she holds a daily book-a-day giveaway, or on her very active Facebook page at facebook.com/authorcolleenhoover where she loves to give away more free stuff when her husband isn't looking. 

Excerpt. © Reprinted by permission. All rights reserved.
Losing Hope Chapter One
My heart rate is signaling for me to just walk away. Les has reminded me more than once that it’s not my business. She’s never been a brother before, though. She has no idea how hard it is to sit back and not let it be my business. That’s why, right now, this son-of-a-bitch is my number-one priority.

I slide my hands into the back pockets of my jeans and hope to hell I can keep them there. I’m standing behind the couch, looking down at him. I don’t know how long it’ll take him to notice I’m here. Considering the grip he has on the chick straddling his lap, I doubt he’ll notice for a while. I remain behind them for several minutes while the party continues around us, everyone completely unaware that I’m a fraction away from losing my mind. I would take out my phone so that I’d have evidence, but I couldn’t do that to Les. She doesn’t need a visual.

“Hey,” I finally say, unable to contain my silence a second longer. If I have to watch him palm this chick’s breast one more time without a single ounce of respect for his relationship with Les, I’ll rip his fucking hand off.

Grayson tears his mouth away from hers and tilts his head back, looking up at me with glossed-over eyes. I can see the fear settle in when it clicks—when he finally realizes that the last person he thought would be here tonight actually showed up.

“Holder,” he says, pushing the girl off his lap. He struggles to his feet but can hardly stand up straight. He looks at me pleadingly, pointing at the girl, who’s now adjusting her barely-there skirt. “This isn’t . . . it’s not what it looks like.”

I slide my hands out of my back pockets and fold my arms across my chest. My fist is closer to him now and I have to clench it, knowing how good it would feel to punch his face in.

I look down to the floor and inhale a breath. Then another. And one more just for show, since I’m really enjoying watching him squirm. I shake my head and raise my eyes back to his. “Give me your phone.”

The confusion on his face would be comical if I weren’t so pissed. He laughs and attempts to back up a step, but bumps into the coffee table. He catches himself by pressing his hand onto the glass and straightens back up. “Get your own fucking phone,” he mumbles. He doesn’t look back at me as he maneuvers his way around the coffee table. I calmly walk around the couch and intercept him, holding out my hand.

“Give me your phone, Grayson. Now.”

I’m not really at an advantage sizewise, since we’re about the same build. However, I’m definitely at an advantage if you take my anger into consideration, and Grayson can clearly see that. He takes a step back, which probably isn’t a very smart move considering he’s backing himself straight into the corner of the living room. He fumbles with his pocket and finally pulls out his phone.

“What the hell do you want my phone for?” he says. I grab it out of his hands and dial Les’s number without hitting send. I hand it back to him.

“Call her. Tell her what a bastard you are and end it.”

Grayson looks down at his phone, then back up at me. “Go fuck yourself,” he spits.

I inhale a calming breath, then roll my neck and pop my jaw. When that doesn’t help ease my urge to make him bleed, I reach forward, grab the collar of his shirt and shove him hard against the wall, pinning his neck with my forearm. I remind myself that if I kick his ass before he makes the call, my remaining calm for the past ten minutes will have been pointless.

My teeth are clenched, my jaw is tight, and my pulse is pounding in my head. I’ve never hated anyone more than in this moment. The intensity of what I wish I could do to him right now is even scaring me.

I look him hard in the eyes and let him know how the next few minutes are about to play out. “Grayson,” I say through clenched teeth. “Unless you want me to do what I really want to do to you right now, you will put the phone to your ear, you will call my sister, and you will end it. Then you’re going to hang up the phone and never speak to her again.” I press my arm harder against his neck, taking note of the fact that his face is now redder than his shirt, due to lack of oxygen.

“Fine,” he grumbles, attempting to free himself from the hold I have on him. I wait until he looks down at the phone and hits send before I release my arm and let go of his shirt. He puts the phone to his ear and never stops looking at me as we both stand still and wait for Les to answer.

I know what this will do to her, but she has no idea what he does behind her back. No matter how many times she hears it from other people, he’s somehow able to weasel his way back into her life every time.

Not this time. Not if I have any control over it. I won’t sit back and let him do this to my sister anymore.

“Hey,” he says into the phone. He tries to turn away from me to speak to her, but I shove his shoulder back against the wall. He winces.

“No, babe,” he says nervously. “I’m at Jaxon’s house.” There’s a long pause while he listens to her speak. “I know that’s what I said, but I lied. That’s why I’m calling. Les, I . . . I think we need some space.”

I shake my head, letting him know that he needs to make it an absolute break-up. I’m not looking for him to give her space. I’m looking for him to give my sister permanent freedom.

He rolls his eyes and flips me off with his free hand. “I’m breaking up with you,” he says flatly. He allows her to talk while he remains silent. The fact that he’s showing no remorse whatsoever proves what a heartless dick he is. My hands are shaking and my chest tightens, knowing exactly what this is doing to Les right now. I hate myself for forcing this to happen, but Les deserves better, even if she doesn’t think she does.

“I’m hanging up now,” he says into the phone.

I shove his head back against the wall and force him to look at me. “Apologize to her,” I say quietly, not wanting her to hear me in the background. He closes his eyes and sighs, then ducks his head.

“I’m sorry, Lesslie. I didn’t want to do this.” He pulls the phone from his ear and abruptly ends the call. He stares at the screen for several seconds. “I hope you’re happy,” he says, looking back up at me. “Because you just broke your sister’s heart.”

That’s the last thing Grayson says to me. My fist meets his jaw twice before he hits the floor. I shake out my hand, back away from him, and make my way to the exit. Before I even reach my car, my phone is buzzing in my back pocket. I pull it out and don’t even look at the screen before answering it.

“Hey,” I say, attempting to control the trembling anger in my voice when I hear her crying on the other end. “I’m on my way, Les. It’ll be okay, I’m on my way.”

•   •   •

It’s been an entire day since Grayson made the call, but I still feel guilty, so I tack on an extra two miles to my evening run for self-inflicted punishment. Seeing Les torn up like she was last night wasn’t something I had expected. I realize now that having him call her like I did probably wasn’t the best way of handling things, but there’s no way I could just sit back and allow him to dick around on her like he was.

The most unexpected thing about Les’s reaction was that her anger wasn’t solely placed on Grayson. It was as if she was pissed at the entire male population. She kept referring to men as “sick bastards,” pacing her bedroom floor back and forth, while I just sat there and watched her vent. She finally broke down, crawled into bed, and cried herself to sleep. I lay awake, knowing I had a hand in her heartache. I stayed in her room the whole night, partly to make sure she was okay, but mostly because I didn’t want her picking up the phone and calling Grayson in a moment of desperation.

She’s stronger than I give her credit for, though. She didn’t attempt to call him last night and she’s made no attempt to call him today. She didn’t get much sleep last night, so she went to her room before lunch to nap. However, I’ve been pausing outside her bedroom door throughout the day just to make sure I couldn’t hear her on the phone, so I know she hasn’t made any attempts to call him. At least while I’ve been home. In fact, I’m pretty sure the heartless phone call from him last night was exactly what she needed to finally see him for who he really is.

I kick my shoes off at the door and walk to the kitchen to refill my water. It’s Saturday night and I would normally be heading out with Daniel, but I already texted him to let him know I was staying in tonight. Les made me promise I would stay in with her because she didn’t want to go out and chance running into Grayson yet. She’s lucky she’s cool, because I don’t know many seventeen-year-old guys who would give up a Saturday night to watch chick flicks with his heartbroken sister. But then again, most siblings don’t have what Les and I have. I don’t know if our close relationship has anything to do with the fact that we’re twins. She’s my only sibling, so I don’t have anything to compare us to. She might argue that I’m too protective of her, and there may be some truth to that argument, but I don’t plan on changing anytime soon. Or ever.

I run up the stairs, pull my shirt off, and push open the bathroom door. I turn the water on, then walk across the hall and knock on her bedroom door. “I’m taking a quick shower, will you order the pizza?”

I brace my hand against her door and reach down to pull my socks off. I turn around and toss them into the bathroom, then beat on her door again. “Les!”

When she doesn’t respond, I sigh and look up at the ceiling. If she’s on the phone with him, I’ll be pissed. But if she’s on the phone with him, it probably means he’s telling her the break-up was all my fault and she’ll be the one who’s pissed. I wipe my palms on my shorts and open the door to her bedroom, preparing for another heated lecture on how I need to mind my own business.

•   •   •

I see Les on her bed after I walk into her room, and I’m immediately taken back to when I was a little boy. Back to the moment that changed me. Everything about me. Everything about the world around me. My whole world turned from a place full of vibrant colors to a dull, lifeless gray. The sky, the grass, the trees . . . all the things that were once beautiful were stripped of their magnificence the moment I realized I was responsible for our best friend Hope’s disappearance.

I never looked at people the same way. I never looked at nature the same way. I never looked at my future the same way. Everything went from having a meaning, a purpose, and a reason, to simply being a second-rate version of what life was supposed to be like. My once effervescent world was suddenly a blurred, gray, colorless photocopy.

Just like Les’s eyes.

They aren’t hers. They’re open. They’re looking right at me from her position on the bed.

But they aren’t hers.

The color in her eyes is gone. This girl is a gray, colorless photocopy of my sister.

My Les.

I can’t move. I wait for her to blink, to laugh, to revel in the twisted aftermath of the sick, fucking joke she’s playing right now. I wait for my heart to start beating again, for my lungs to start working again. I wait for control of my body to return to me because I don’t know who has control of it right now. I sure as hell don’t. I wait and I wait and I wonder how long she can keep this up. How long can people keep their eyes open like that? How long can people not breathe before their body jerks for that desperately needed gasp of air?

How fucking long before I do something to help her?

My hands are touching her face, grabbing her arm, shaking her whole body until she’s in my arms and I’m pulling her onto my lap. The empty pill bottle falls out of her hand and lands on the floor but I refuse to look at it. Her eyes are still lifeless and she’s no longer looking at me as the head between my hands falls backward every time I try to lift it up.

She doesn’t flinch when I scream her name, and she doesn’t wince when I slap her, and she doesn’t react when I start to cry.

She doesn’t do a goddamned thing.

She doesn’t even tell me it’ll be okay when every single ounce of whatever was left inside my chest is propelled out of me the moment I realize that the very best part of me is dead.

Most helpful customer reviews

2 of 2 people found the following review helpful.
I loved reliving this story about Hope, Dean, and Les thru Holder's eyes. 5 loving stars.
By annmric
I love being inside Dean's head reading his journal entries. This story is about Dean and how he deals with losing both Hope and Les.
Colleen handles these sensitive subject matters with great precision. High school is tough and I've never personally known someone to die during that time so this is a new experience for me. Colleen has covered all the bases.
Colleen adds a nice balance to this story considering the topic of death and kidnapping. There's humor mixed in with grief. There's anger mixed in with happiness. There's fighting mixed in with loving. There's intimacy mixed in with cheating.
I read Hopeless maybe 3 years ago and have wanted to read Losing Hope for those 3 years. I am amazed how easily all the information came back so simply. It was as if I read it yesterday. That story imprinted itself on my mind forever. I'm not one to remember details of a story but this one is still fresh in my mind. It has a draw to me. It touched my heart.
Holder is playing the part of a patient guy and its intoxicating. The flirting is seductive. I'm imprinting each moment in my mind. I love how Holder wants every moment to have meaning. Each shared encounter ship has to be relevant. I'm driven crazy by the sweet torture of Holder and his appreciation for Sky when he's adoring her.
I'm so wrapped up this story for a second time and I can't pull myself away. There is no part of the story that is easy to step away from. From one chapter to the next I find myself eagerly turning the pages. I love Holders character. I find Colleen has a way of capturing the innocence of a young male character. It's so sweet and pure. It makes me ache to have that tenderness.
Colleen you have a brilliant mind. I can see why people love you so much. You have this ability to look at all possible scenarios. You are like the devils advocate. Someone who can understand every possible path and give clarity to that perspective. That's what draws the reader. It's emotional and dynamic.

1 of 1 people found the following review helpful.
Get ready to fall in love with this book...
By Gabriella
After reading Hopeless (and loving it) I was hesitant about Losing hope. I thought maybe it would be repetitive and not as gripping as Hopeless. I honestly doubted that Coleen Hoover was going to write the same story again and get the reader just as involved as with Hopeless. I was wrong. I can't explain how she does it, but even though you're reading the same story it is completely different. A lot of the words might be the same, but the perspective, the feelings they convey, and the way they grab at you makes you feel you're reading it for the first time, but even better, because having read sky's side and now reading Holder's side now you feel completely surrounded by their feelings, their world and the events that are enfolding them. You feel your are as much part or the story as they are, because she has a beautiful and really kind of perfect way of putting feelings into words. And you will hopelessly fall in love with Holder again and again with every turn of the page. Anyone that reads hopeless has to read Losing hope. They should actually be sold together because with Losing Hope you get all the closure and and the loose ends finally come together to create a perfect circle. It absolutely is the other half of the first book.
One of the best YA authors out there.

0 of 0 people found the following review helpful.
Equally as good as Hopeless
By Kindle Customer
So, for starters, this is COMPANION and NOT A SEQUEL. I knew this before reading the book. I was somewhat concerned that it would be repetitive of Hopeless without filling in more of the story to the reader. Hopeless itself was fulfilling and didn't leave me to ponder many unanswered questions. However, I did enjoy this book every bit as much as I enjoyed Hopeless. And although it may seem repetitive to have the same scenes in both books, it is helpful to know where you are at in the story's timeline. I definitely learned more about all the characters in Losing Hope. And the new perspective does fill in things that I didn't expect. Now on to Finding Cinderella. #cohort

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Jumat, 28 Oktober 2011

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Kamis, 27 Oktober 2011

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Jumat, 21 Oktober 2011

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One Hard Ride, by M. M. Bordeaux

Amanda Sloane's passion has been solely focused on becoming a well-respected, NYC art appraiser. With that appetite sated, she can no longer ignore her body's carnal desires. Tasked with authenticating an uncataloged Randell painting that could be worth millions, she meets a trio of Texas ranch hands who take her on an erotic ride imagined only in her deepest fantasy. Between ranch owners, Jake and Justin Morgan, and their ranch foreman, Luke, the cowboys ignite in Amanda a raging fire of uninhibited sexuality. For years, the Morgan brothers have fought off their greedy cousin's attempts to take their ranch, including poison and sabotage. Now, Jake is counting on the elegant and sophisticated art appraiser to authenticate his grandaddy's painting to stave off foreclosure on the family ranch. Awakening the big city vixen's sexual hunger has his body ablaze with need and his heart yearning for love. Can Amanda give up the intoxicating pleasure of her sexual awakening? Or is Jake's love unconditional enough to encourage her to continue her erotic odyssey?

  • Sales Rank: #6261176 in Books
  • Published on: 2012-05-21
  • Original language: English
  • Dimensions: 8.00" h x .69" w x 5.00" l,
  • Binding: Paperback
  • 306 pages

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1 of 1 people found the following review helpful.
Hot erotic read
By The Romance Reviews
Hell yes, there was more that ONE HARD RIDE; there was actually a couple of hard rides. This was the hottest erotic read that I have read this year. After reading this book, it will have you up in knots with desire, desire and more desire.

ONE HARD RIDE was a very fast-paced erotic read that even if it was about 300 pages, it seemed so much less. A New York woman is ready to travel on a job assignment to Texas and she is ready with her cowboy hat and cowboy boots. But when she gets there, she finds herself in a violent storm in the middle of nowhere. Then she finds a cowboy and a cowgirl breeding horses, but when they started having some action of their own, Amanda can't seem to turn away and give them their privacy. That is where all the fun begins.

Staying in a ranch with two sexy-as-hell cowboys, Jake and Justin Morgan, is something any woman wouldn't mind fantasizing about. It seems that these cowboys, along with Luke, the foreman, like threesome or maybe even foursomes and they are all attracted to Amanda. They are ready to show her how to embrace her sexuality and teach her how passionate she truly can be. Only, one cowboy finds that he is extremely attracted to Amanda, and he thinks that there could be more than just sex with her. These three cowboys give her the ride of her life for six amazing, blissful days.

During those six days, you have your villain trying to get what he says belongs to him. The Morgan brothers are trying to save their ranch and Amanda is truly trying to help them to see if some of their artwork is authentic. But the villain is sabotaging their hopes of saving the ranch.

Everything happened so quickly between Amanda, Jake, Justin and Luke that it just seemed so unreal. Amanda was there to do a job and not the clients, but they did guide her in learning about her sexual appetite. This story also seemed to stop so abruptly I wanted more. That is not a bad thing and I truly hope that the author revisits these characters again and maybe one of my favorite characters can get his own book. Once Amanda sees how much fun it is to have more than one man pleasuring her, will it change her relationship with one of the men, and is he willing to give Amanda more of what she wants?

There is some public sex, group sex and/or voyeurism in this book, but if you're willing, I will cheer you on. On that note, I believe it makes this book even more interesting. If you are ready to read something out of your element or just ready to read something erotic, this is the book for you. Get ready to take a nice cool shower when you are done reading ONE HARD RIDE.

Reviewed by CozyReader
for TheRomanceReviews.com

1 of 1 people found the following review helpful.
Hot, Sexy Read with Hunky Cowboys
By Romancing the Book
Reviewed by Sarah L.
Book provided by the publisher for review
Review originally posted at Romancing the Book

One Hard Ride is a fast paced erotic novel involving a New York art appraiser who has been hired by the hunky Morgan brothers to determine if a painting is legit in order to pay off a debt. In addition to the steam rolling off most of the pages, we also have action and drama from Winslow, their evil cousin, as the villain trying to take over their ranch.

I enjoyed getting to know Jake, Justin, Luke and even Julie but while I liked Amanda, she was a bit too unprofessional for me. I’m not referring to the whole sex with your client part of the plot but the way she spoke in general. Some of her interactions with the other characters seemed too unsophisticated for an upscale New York art appraiser. The interactions between Mandy and Richard (her boss) in the beginning of the story were again not what I would have expected and it took a little bit for me to warm up to Mandy.

While the sex was so hot and steamy and I felt like I should have taken a cold shower afterwards, some of the plot seemed a bit too good to be true. I don’t want to give away any spoilers but one bad thing happens, they come out smelling like a rose, then another bad thing happens but again they come out smelling like a rose. Why can’t things like that happen to me?

Overall, if you are looking for a hot, sexy read with some hunky cowboys I don’t feel you will be disappointed. I do look forward to reading more from this author in the future.

0 of 0 people found the following review helpful.
One Hard Ride
By sockstitcher
This is a quick reading story and if you like a great deal of sex in your story, then this one fits the bill. I think the sex overrode the plot of the story sometimes but overall, I enjoyed the book. Have to look for more by this author.

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Selasa, 11 Oktober 2011

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Scripts People Live: Transactional Analysis of Life Scripts

Will be shipped from US. Brand new copy.

  • Sales Rank: #6752696 in Books
  • Binding: Paperback

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Minggu, 09 Oktober 2011

[Y781.Ebook] Get Free Ebook Nightwing, Vol. 2: Night of the Owls (The New 52), by Kyle Higgins

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Nightwing, Vol. 2: Night of the Owls (The New 52), by Kyle Higgins

A New York Times�Best Seller!

Dick Grayson must face his past and a deadly adversary in the present as he learns of his connection to the mysterious Court of Owls. But even if he's able to stop an undead, unstoppable assassin, he'll still have to deal with the rising forces of the anti-Gotham City army and its leader the mysterious Paragon

  • Sales Rank: #65583 in Books
  • Brand: DC Comics
  • Published on: 2013-07-30
  • Released on: 2013-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .20" w x 6.60" l, .58 pounds
  • Binding: Paperback
  • 144 pages

Review
"Dynamic art and a story that draws upon the history of the character."—The New York Times

"Stellar...a solid yarn that roots itself in Grayson's past, with gorgeous artwork by artist Eddy Barrows to boot."—IGN

"I think a new generation is going to fall in love with Nightwing..."—MTV Geek

About the Author
Kyle Higgins is an American comic book writer best known for his work with DC Comics. Higgins' knack for dynamic action scenes and pacing make him one of the best up and coming talents in the industry. His previous works include the limited series BATMAN: GATES OF GOTHAM along with best-selling writer Scott Snyder, as well as BATMAN and DETECTIVE COMICS. He is currently writing NIGHTWING as a part of DC Comics—The New 52

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13 of 13 people found the following review helpful.
The History, Life, And Time of Dick Grayson
By Anarchy in the US
When it comes to Kyle Higgins Nightwing, I think the young writer has a solid voice for the character of Dick Grayson. It's fun and interesting to see Batman's first pupil come into his own and dealing with his own problems away from Gotham City. The thing is, at the end of volume 1, Nightwing returned to Gotham with his circus with bad results and learning a big secret about upbringing. Now it appears that Nightwing's presence in Gotham leads him to know a lot more about himself then ever before.

NIGHTWING VOL.2: NIGHT OF THE OWLS collects issues #8-12 and #0. Issues #8 and #9 is part of the "Night of the Owls" event/story, issues #10-#12 is the 3-part "Republic of Tomorrow" story, and origin of Nightwing is in issue #0.

The 2-part Night of the Owls story is during the Batman family cross over from Batman: Night of the Owls (The New 52), which deal with Nightwing fighting the current Talon for the Court of Owls and finding out Dick Grayson and the Talon have far more of a connection and history then Dick ever imagined. And the 3-part Republic of Tomorrow story deals with a shady cult group that claim to be Gotham's true savor and wants Nightwing dead for a murder he's framed for by unknown forces.

Kyle Higgins key theme in this volume is the inner workings of Dick Grayson's history growing up and the connection he has with Gotham. The Night of the Owls 2-parter is one of the best things about the event and for Nightwing himself. We get a good look at the family history of Dick Grayson's ancestor and his inner workings, as well as the origin of Dick Grayson's last name. It gives the conflict with the Talon and Dick a strong emotional story and payoff.

Higgins continues Dick's Gotham connections with the Republic of Tomorrow story by introducing a new character Sonia Zucco, the daughter of Tony Zucco, the man who murdered Dick's parents for an interesting angle. And the leader of the Republic is Paragon gives an odd and crazy look at hero symbols.

The #0 issue goes into the usual history of Dick Grayson, another origin that most people know about...but Higgins adds some additional flair and alternations to Dick's New 52 back story. Where as Dick was just physically capable to train under Batman, Higgins gives Dick more street smart, observant, and just much more of a smarter character for becoming Robin then just putting on a costume.

As for artist, Eddy Barrows art is still top notch. Super amount of detail and great page layouts. There are numerous fill-in artist throughout the whole book though, including Ruy Jose, Eber Ferreira, Andres Guilaldo, Mark Irwin, Gerado Borges, and Raul Fernandez. There is quite a bit of change ups in the art, but thankfully most of the artist follows Barrows art and style decently.

As for complaints, I found the Republic of Tomorrow story to be mediocre. It's not bad, but by the end of the arc it just didn't do much for the Nightwings character or the villain Paragon. The overall cohesiveness is pretty ruff with the 3 different stories. And the numerous change-ups of artist might drive you nuts.

Overall, NIGHTWING VOL.2: NIGHT OF THE OWLS is still a pretty good book from writer Kyle Higgins. The Night of the Owls story and Zero issues are great characters studies, and the art is pretty good throughout. But the Republic of Tomorrow story is nothing special and the big change up of artist hurt a good half of the book. I don't feel like this book is as strong as volume 1, but it still has its perks. I'll give it a 3 � score, but round up to 4 stars. Things will get dark for Nightwing and the Bat-family for the return of Joker in Nightwing Vol. 3: Death of the Family (The New 52).

3 of 3 people found the following review helpful.
Nightwing!
By Green Dragon
This is a great tie-in to the Batman: Court/City of Owls. Furthermore, it reveals a new villian and Dick Grayson's origins as Robin! I do recommend this to any Nightwing fans, or if you just want to read a good graphic novel.

4 of 5 people found the following review helpful.
"Nightwing Volume 2: Night of the Owls" Pits Hero Against Old and New Foes
By ERSInk . com
DC Comics delivers another great Bat-Family graphic novel with "Nightwing Volume 2: Night of the Owls." The hardcover collection contains issues 0 and 8 through 12 of the monthly title. It consists of three different story arcs that continue to show the grown-up Boy Wonder can hold his own inside and outside Gotham City.

"Bloodlines" and "The Gray Son" pit Nightwing against a powerful agent of the Court of Owls. His name is William Cobb and he is Dick Grayson's great-grandfather, trained by Haly's Circus to be a Talon since childhood. Can Nightwing foil Cobb's assassination attempt on Gotham City's mayor?

"The Tomorrow People," "Tomorrow Can't Wait," and "Inside Out" throw Nightwing in the ring with an organization calling themselves the Republic of Tomorrow led by a masked figure named Paragon. The group is intent on cleansing Gotham City of its "false" heroes and killing Nightwing for the deaths of two of their members.

"Perpetual Motion" gives readers an updated version of Dick Grayson's journey to becoming the legendary Robin the Boy Wonder. Think of it as a souped-up and condensed version of Robin: Year One. We get more details about the death of Grayson's parents and see the first time he goes up against Batman's archenemy Lady Shiva.

Kyle Higgins handles the writing duties for most of "Nightwing Volume 2: Night of the Owls." He does a great job interweaving the storylines of William Cobb in the 1900s with that of Dick Grayson's in the present. He also creates an excellent new organization and villain for Nightwing to go up against. They have impressive costumes and a memorable logo they use to show their presence. Higgins does a wonderful job giving Dick emotional depth and establishing an enthralling storyline while keeping the action fast-paced. Tom DeFalco helps out Higgins with the script for "Perpetual Motion."

Several artists contribute their handiwork to "Nightwing Volume 2: Night of the Owls." Eddy Barrows, Eber Ferreira, Ruy Jose, Andres Guinaldo, Mark Irwin, Geraldo Borges, and Raul Fernandez all get their chance at bringing Nightwing to life. They differ stylistically, but not enough to cause readers to be distracted from the overall plots of the tales. Most of the art is crisp and rooted in realism.

Eight pages of special features are included in "Nightwing Volume 2: Night of the Owls." Cover sketches and layouts are provided by Eddy Barrows. We get an unused cover for issue 11 by Barrows, Eber Ferreira, and Rod Reis as well. It also contains character sketches by Barrows, Brett Booth, and Kenneth Rocafort.

"Nightwing Volume 2: Night of the Owls" is an exhilarating continuation of the adventures of Dick Grayson. The series has quickly become one of my favorite Bat Books to read. The stories are consistently intricate and balance substance and action quite well. Kyle Higgins is welcome to stay on as writer of the title for as long as he wants.

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Selasa, 04 Oktober 2011

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Taken by the Admiral, by Sue Lyndon

Since she was a child, Lia has longed to be free from the confines of the great worldship which has been the last refuge of the human race for generations, but being snatched from the only home she has ever known by aliens was not exactly what she had in mind. When she learns that the admiral of the alien fleet plans to claim her as his mate—regardless of her thoughts on the matter—her surprise turns to fury.

The huge and intimidating yet undeniably handsome admiral is unmoved by her protests, however, and her defiance merely earns her a trip over his knee for a sound spanking on her bare bottom. To make matters worse, the painful, embarrassing chastisement brings about a helpless, shameful arousal unlike anything she has ever felt before.

Having grown up in a society which abandoned sexual contact as a means of procreation long ago, Lia is deeply humiliated by the intimate, thorough medical exam she receives from the ship’s doctor in the admiral’s presence, and her failure to cooperate results in a stern punishment from her future mate. To cap it all off, with her bottom still burning and her cheeks blushing crimson she is brought to a shattering climax right there on the examination table to confirm her sexual responsiveness.

Though Admiral Cavvik hadn’t planned on taking a human female as his mate, he was left with little choice after one look into Lia’s eyes called up primal instincts that could not be denied. But when it becomes clear that some among his people are violently opposed to his choice of companion, will he stand his ground and protect the little human he has quickly grown to love?

Publisher’s Note: Taken by the Admiral is an erotic romance novel that includes spankings, sexual scenes, medical play, anal play, and more. If such material offends you, please don’t buy this book.

  • Sales Rank: #30935 in eBooks
  • Published on: 2016-01-15
  • Released on: 2016-01-15
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
You should buy this....!
By KW
Once again, Sue Lyndon returns with a wonderful novel. Lia is kidnapped from a human ship, and Admiral Cavvik decides he must keep her for himself. The two of them grow to care for each other, but not all is so wonderful when they reach his home planet. Someone is upset Cavvik has taken a human for a wife and exacts their revenge. Highly recommended, a short, but sweet, and utterly sexy novel. Especially if you like reading about spankings and steamy sex...

2 of 2 people found the following review helpful.
Another hot read for Sue Lyndon
By Heather Root
Hot Sci fi romance. I love this book, Sue Lyndon writes another hot book. I love the relationship between the main characters is fun and loving. I highly recommend this book to those who love Sci fi romance.

2 of 2 people found the following review helpful.
Five Stars
By faith heidtman
Loved this book. Not my normal reading but enjoyed it enough to read twice

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Senin, 03 Oktober 2011

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Stage to Lordsburg (Fantasy and Horror Classics)

  • Published on: 1900
  • Binding: Paperback

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Minggu, 02 Oktober 2011

[Y574.Ebook] Download PDF The Complete Maus, 25th Anniversary Edition, by Art Spiegelman

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On the occasion of the twenty-fifth anniversary of its first publication, here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker).

The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).

Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.

  • Sales Rank: #1733 in Books
  • Brand: Pantheon
  • Published on: 1996-11-19
  • Released on: 1996-11-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.10" w x 6.60" l, 1.90 pounds
  • Binding: Hardcover
  • 295 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

381 of 386 people found the following review helpful.
Hardcover Includes Parts I and II
By Jay Bee
Browsing through the reviews and comments about Maus, I saw that there was some question as to whether the hardcover edition comprised Parts I and II. This is understandable because the product is listed in Amazon as "The Complete Maus: A Survivor's Tale (No 1)," which seems contradictory.

When I was considering purchasing it, I looked at the number of pages that were listed for the edition and guessed that it included both parts of the story. So I bought it, it arrived fine, and I am now writing to confirm that yes, this edition includes I and II.

Amazon should look into this and remove the "(No 1)" from the listing's title.

328 of 336 people found the following review helpful.
More subtle than can be understood in a single reading
By A Customer
These books are an easy and fast read, but by no means are they simple. In two slim comic books, Art Spiegelman chronicles his parents' movement from comfortable homes in Poland to the death camps of Auschwitz and Birkenau, and from there to a surreally banal afterlife in upstate New York. We watch the destruction of the Holocaust continue in Spiegelman's father's transformation from a bright, good-looking youth to a miserly neurotic, his mother's deterioration from a sensitive, sweet girl into a suicide, and in the author's own unhappy interactions with his parents.
I have read some of the most negative reviews of these books, and I respectfully disagree. Some negative reviews ("Spiegelman is a jerk") castigate Spiegelman for his shamefully self-interested milking of his father's life and the Holocaust. Other negative reviews find fault with the unoriginality of the story, or discover historical inaccuracies, self-contradictions, or simplifications in the tale. Finally, a set of reviews are upset with Spiegelman's coding of people of different nationalities as animals(especially the Poles, who were also victimized by the Nazis but are depicted as pigs in the comics.)
The first criticism is both deserved and unfair. Deserved, because Spiegelman profits by the pain and death of millions, including his own family. Unfair, because Spiegelman himself consciously provides the basis for our criticism that he mocked and neglected his elderly father at the same time that he fed his own success upon his father's tales. The two volumes echo with his regret and unexpiable guilt at his treatment of his parents, and at his own success and survival. To attack Spiegelman for these things is like scolding a man in the midst of his self-immolation.
The second type of criticism finds _Maus_ to be sophomoric, inaccurate, or repetitive of other Holocaust survivor's experiences. The defense here is that Maus is the story of a single family, seen through the eyes of a single man (Vladek Spiegelman), and filtered again through his son. It is almost certain that the elderly Vladek forgot, exaggerated, or hid details, just as it is certain that his son summarized and misunderstood. However, the quasi-fictionalized format of the comic book throws this subjectivity into relief. The destroyed diaries of Spiegelman's mother are a reminder of the millions of life stories left untold, including stories perhaps too horrible and shameful for the survivors to reveal. _Maus_ does not claim to be an objective, authoritative history of the Holocaust, and in fact tries to emphasize its own limitations.
While other works may better convey the Jewish experience in the Holocaust, the innovative format of _Maus_ justifies its existence, as it allows the story to reach a greater audience.
Finally, many have objected to the negative stereotyping of the many peoples appearing in the book, especially the Poles. Spiegelman draws the Jews as innocent mice, but the Germans as bloodthirsty cats, and the Poles as selfish pigs. More amusingly (because they appear infrequently in the story) the French are drawn as frogs, the Swedes as reindeer, and the British as cold fish. The Americans are dogs, mainly friendly bow-wow dogs but also sometimes cold-eyed predators capable of pouncing on a mouse or rat. I believe that the wrongness of stereotypes was a major reason why Spiegelman used them. The Nazis are recorded as having called the Jews "vermin" and the Poles "pigs". Whether they had the qualities of these animals or not, they were treated as such... and such they were forced to become despite themselves. The Jews had to hide, hoard, and deceive; the Poles were compelled to act out of self-interest just to survive.
In other words, I think that Spiegelman's stereotypes were a deliberate choice. The WHOLE POINT of _Maus_ is how the dehumanization of the Holocaust twisted people beyond their capacities... how the camps tried to make people as ugly and despicable as their worst racial stereotypes, by making them all alike in their fear. Sometimes they succeeded.
Neither Poles nor Germans are depicted as only selfish, cowardly, and cruel in _Maus_. In fact, there are many Polish in Spiegelman's books who are shown as fellow-sufferers, or kind despite the risks to their own lives, just as there were Jews who betrayed their own. Look closely at the drawings-- I open Maus II to a random page, and see both pigs and mice in the prison suits, both as capos and victims. Who is the kind priest who renews Vladek's hope on page 28? A Pole! Even the Germans are seen to suffer from the war, caught by powers beyond their control. Meanwhile, Vladek himself is shown to be an inflexible racist (II, p. 98).

I argue, therefore, that the above criticisms of _Maus_ show a hasty reading of the books and poor comprehension of how an artist(even of non-fiction) chooses to convey a theme.
As a non-European, I have no personal investment in Jewish, German, or Polish points of view. However, as a second-generation American and child of war survivors [a civil war, so we are both victims and oppressors], I have a chord that resonates with the story of the Spiegelmans. I just re-read "Maus II" this afternoon and found to my amazement that it was still able to draw tears. In fact, when I first read the Maus books ten years ago I don't recall them affecting me so deeply... but I was younger then and had only an intellectual understanding of many things, such as love, fear, guilt, death, and weakness.
I wholeheartedly recommend these books to those who are willing to read them more than once. If you are not moved by them now, perhaps later you will be. Meanwhile, let's do our best to stop such suffering around the world.

163 of 177 people found the following review helpful.
"Maus": an important literary landmark
By Michael J. Mazza
Art Spiegelman's "Maus: A Survivor's Tale" is a unique and unforgettable work of literature. This two-volume set of book-length comics (or "graphic novels," if you prefer) tells the story of the narrator, Artie, and his father Vladek, a Holocaust survivor. "Maus" is thus an important example of both Holocaust literature and of the graphic novel. The two volumes of "Maus" are subtitled "My Father Bleeds History" and "And Here My Troubles Began"; they should be read together to get the biggest impact.
Artie is a comic book artist who is trying to create art that is meaningful, not just commercial. As the two volumes of "Maus" unfold, he gradually learns the full story of his father's history as a Jewish survivor of the World War II Holocaust. There is a complex "book within the book" motif, since the main character is actually writing the book that we are reading. This self-referentiality also allows Spiegelman to get in some satiric material.
The distinguishing conceit of "Maus" involves depicting the books' humanoid characters as having animal heads. All the Jews have mice heads, the Germans are cats, the Americans dogs, etc. It is a visually provocative device, although not without problematic aspects. To his credit, Spiegelman addresses some of the ambiguities of this visual device in the course of the 2 volumes. For example, Artie's wife, a Frenchwoman who converted to Judaism, wonders what kind of animal head she should have in the comic.
"Maus" contains some stunning visual touches, as well as some truly painful and thought-provoking dialogue. Vladek is one of the most extraordinary characters in 20th century literature. As grim as the two books' subject matter is, there are some moments of humor and warmth. Overall, "Maus" is a profound reflection on family ties, history, memory, and the role of the artist in society.

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Sabtu, 01 Oktober 2011

[R107.Ebook] Get Free Ebook Interventions in Structural, Valvular and Congenital Heart Disease, Second EditionFrom CRC Press

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Interventions in Structural, Valvular and Congenital Heart Disease, Second EditionFrom CRC Press

At one time, many children born with congenital heart disease (CHD) suffered from issues that carried fatal prognoses. But that's changing, thanks to technological advances. Interventions in Structural, Valvular, and Congenital Heart Disease, Second Edition guides you throught the interventional treatment of congenital, valvular, and structural heart disease in the children and adults. The book emphasizes the practical aspects of procedures and covers other important areas such as indications and patient selection, potential pitfalls, and complications.

See What's New in the Second Edition:

  • Contributions from new authors who are pioneers in structural interventions in adults and transcatheter aortic valve replacement
  • Expanded emphasis on the importance of imaging alongside the technical details of equipment and its safe and effective delivery
  • Coverage of emerging techniques at the forefront of interventional treatment such as fetal interventions, hybrid procedures, and mitral valve repair

Greater understanding, technical knowhow, and wider availability of catheters, balloons, delivery systems, and devices have spread intervention into the realm of acquired valve disease, degenerative disease of the aorta, paravalve leakage, postinfarction ventricular septal defects, and closure of the left atrial appendage. The book draws together expert interventionists from throughout the world to present approaches to congenital and structural heart disease that results in better outcomes for patients.

  • Sales Rank: #408658 in Books
  • Published on: 2014-12-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.10" h x 8.60" w x 11.20" l, .0 pounds
  • Binding: Hardcover
  • 1051 pages

Review

"… an excellent reference for advanced interventional cardiologists in training as well as those in practice. The focus on the technical aspects and techniques of the procedure will be particularly helpful to those in training."
―Arnold Johnston Hite, MD, MS, Ochsner Clinic Foundation for Doody's Review Service

About the Author

Edited by

Horst Sievert, MD, director, CardioVascular Center CVC and St. Katharinen Hospital, Frankfurt, Germany

Shakeel A. Qureshi, MD, FRCP, paediatric cardiologist, Guy’s and St Thomas’ NHS Foundation Trust, London, UK

Neil Wilson, MD, professor of pediatrics and director, Cardiac Catheterization Laboratory, Heart Institute, Children’s Hospital Colorado, Aurora, USA

Ziyad M. Hijazi, MD, MPH, MSCAI, FACC, acting chief medical officer and clinical service chief, Department of Pediatrics, Sidra Medical and Research Center, Doha, Qatar

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
The bible

0 of 0 people found the following review helpful.
Highly recommended.
By Amir
A must have reference for any interventionist who practices structural heart disease. Written by a highly selected group of experts from across the globe, this book is easy to follow and very rich in technical details and practical tips and tricks. There are numerous figures, illustrations, and videos to facilitate the grasp of otherwise complex techniques. Highly recommended.

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